Dvořák in America

Saturday, November 11, 2017 • 7:30 p.m.
First Free Methodist Church (3200 3rd Ave W)

advance tickets: Brown Paper Tickets or 1-800-838-3006

Orchestra Seattle
Seattle Chamber Singers
William White, conductor
Catherine Haight, soprano
José Rubio, baritone


Leo Sowerby (1895 –1968)
Comes Autumn Time

Franz Joseph Haydn (1732 –1809)
Hunting Chorus from The Seasons, Hob. XXI:3

Antonín Dvořák (1841 –1904)
Te Deum, Op. 103

— intermission —

Antonín Dvořák
Symphony No. 9 in E minor, Op. 95 (“From the New World”)

About the Concert

In 1892, the Czech composer Antonín Dvořák arrived in New York to lead the National Conservatory of Music in America, bearing with him the score for his majestic Te Deum for chorus, soloists and orchestra, which he conducted at a concert celebrating Columbus Day. During his stay in the United States, Dvořák composed his “New World” Symphony, which has rightfully gone on to become one of his most acclaimed works. In America, we think of autumn as a time for celebration — reflected in the delightful overture Comes Autumn Time by Chicago composer and organist Leo Sowerby, as well as the “Hunting Chorus” from Haydn’s The Seasons.

Please join us prior to the concert at 6:30 p.m. for a free “Behind the Music” discussion!

About the Conductor


William C. White is a conductor, composer, teacher, writer and performer based in Portland, Oregon. For four seasons (2011–2015) he served as assistant conductor of the Cincinnati Symphony Orchestra, working closely with music director Louis Langrée and an array of guest artists, including John Adams, Philip Glass, Jennifer Higdon, Itzhak Perlman and James Conlon. As part of his appointment with the CSO, he also served as conductor of the Cincinnati Symphony Youth Orchestra, a tenure notable for its tours to Chicago and New York, both featuring all 20th- and 21st-century repertoire, as well as community-wide choral collaborations raising funds for charity. During the 2015 –2016 season, Mr. White served as interim music sirector of Portland’s Metropolitan Youth Symphony, leading their season-end tour to Beijing.

Mr. White has long-standing associations with a number of musical organizations, including the Chicago Symphony Orchestra, where he has regularly given pre-concert lectures since 2008. For three seasons, he was music director of Cincinnati’s Seven Hills Sinfonietta, a period that saw remarkable growth for the organization as a whole.

As composer, Mr. White has written music for the concert stage, theater, cinema and church, and his music has been performed throughout North America as well as in Asia and Europe. His major works include a symphony in three movements and several narrated works for young audiences. His music has been recorded on the MSR Classics and Cedille Records labels.

Mr. White earned a masters degree in conducting from Indiana University’s Jacobs School of Music, studying with David Effron and Arthur Fagan. He received a B.A. in music from the University of Chicago, where his principal teacher was the composer Easley Blackwood. In 2004, he began attending the Pierre Monteux School for Conductors under the tutelage of Michael Jinbo, later serving as the school’s conducting associate and then as its composer-in-residence.

Hailing from Bethesda, Maryland, Mr. White began his musical training as a violist. He maintains a significant career as a clinician, arranger and guest conductor, particularly of his own works. His orchestral arrangements, including “Happy,” “Dear Theodosia” and an orchestral suite from Sweeney Todd, have been performed by orchestras throughout the United States.

In 2015, Mr. White launched a YouTube series called Ask a Maestro, where he answers questions about the world of classical music. Recordings of his works can be heard at his Web site, where he also maintains a blog and publishing business.

About the Soloists


Soprano Catherine Haight appears frequently with the region’s most prestigious musical organizations, regularly performing in Pacific Northwest Ballet’s Carmina Burana and The Nutcracker. Reviewing PNB’s world premiere of Christopher Stowell’s Zaïs, The Seattle Times called her singing “flawless.” She appears as soprano soloist on the OSSCS recording of Handel’s Messiah, the Seattle Choral Company recording of Carmina Burana, and on many movie and video game soundtracks, including Pirates of the Caribbean, Ghost Rider and World of Warcraft. Recent concert performances include Handel’s Israel in Egypt and Bach’s Mass in B Minor and St. John Passion with OSSCS, Barber’s Knoxville: Summer of 1915 with https://www.youtube.com/watch?v=ln5zy4cqbZI Seattle Collaborative Orchestra and Richard Strauss’ Four Last Songs at Seattle Pacific University, where she has served on the voice faculty since 1992. Learn more: spu.edu


Baritone José Rubio is equally comfortable in the concert hall and on the operatic stage. His Carnegie Hall recital debut met with great acclaim, The Opera Insider proclaiming it “nothing short of stellar” and describing the performance as “an hour of intensely passionate singing and playing. It could have gone on forever without complaint.” Mr. Rubio’s recent engagements include Tonio in I Pagliacci with Vashon Opera, Falke in Die Fledermaus with Tacoma Opera, bass solos in Beethoven’s Ninth Symphony with Philharmonia Northwest at Benaroya Hall, and the role of notorious gangster Legs Diamond in Evan Mack’s opera Roscoe with the Albany Symphony (featuring Deborah Voigt as the female lead). He is featured on recordings of two Philip Glass operas on the Orange Mountain Music label, Orpheé and Galileo Galilei, and can also be heard on Albany Records’ world premiere recording of Evan Mack’s Angel of the Amazon. Learn more: joserubiobaritone.com

Program Notes